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Gala Concert Classical favourites bring house down at Opera extravaganza
WELL-DESERVED whoops, claps, cheers and stamping feet saluted the cast of the North Star Opera company as the curtain fell following their outstanding performance at the Lowther Pavilion.
Artistic director and tenor Michael
Boe, brother of the internationally-famous Fleetwood opera singer Alfie Boe,
together with musical director Sean Ashmore, presented a varied and challenging
programme of classical favourites and new offerings from such as Puccini, Verdi,
Bizet, Strauss, Donizetti, Dvorak and Offenbach for their “Opera Gala for a
Summer’s Evening”.
Puccini - Love, Passion, Death "Puccini at its best. What a stunning achievement" With this intriguing title North Star Opera explored aspects of Puccini who was a master at comprehending the complex emotions of life and death. A cleverly executed programme showed four extended scenes from the best known Puccini works, which were all concerned with the conflicting strong emotions of the title. This group is attracting an ever increasing pool of exceptional talent. All the excerpts were brilliantly carried off using only a minimalist stage set. Sean Ashmore marshalled his orchestral forces expertly in the pit, and he, along with Michael Boe (Artistic Director), conceived and carried off this wonderful evening. The audience were treated to not just one feast of emotions but four, which left them drained yet exhilarated at the sheer quality of performance. BRAVO !! © PDH Marriage of Figaro A most auspicious production for this talented company. Mozart's comic opera was a good choice and done "properly", (i.e. without directorial foibles), and it served to show off the undoubted qualities of North Star Opera. The ladies have the telling roles in The Marriage of Figaro, and created some magical moments, particularly, Pat Pictor (Countess) in her impassioned second solo (Dove Sono). So too was the letter duet with Susanna. Joan Aitchison was an effervescent Susanna and portrayed this busy role brilliantly, and she had an excellent rapport with Barrie Wright (Figaro). In turn, his solos were well performed, increasing in intensity till the climactic excitement of the Act IV denouement. Michael Boe was commanding in his role of the Count and of course directed the performance overall, showing a fine combination of talents! Ann-Mare Brewer (Cherubino) enhanced the performance with a clever, controlled ease. Smaller parts too were most competently done, especially in the ensemble numbers. Sean Ashmore handled his small forces well and set attractive tempi, so that the words of this translation were heard to greater effect. A noteworthy inception for this new company, as this production had the Mozartian "fizz"
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Michael Boe 2007 contact me